Coke Studio released the third episode of Season 12, featuring ChalRahaHoon by Umair Jaswal, MubarikMubarik by Banur’s Band and Atif Aslam, and Aadam by Fareed Ayaz and Abu Muhammad with Humnawa,
Coke Studio Season 12 released Episode Three
Revisiting the heartache of a loss experienced years ago, Umair Jaswal brings ChalRahaHoon to Coke Studio Season 12. Written during Umair’s university years, ChalRahaHoon is a song that flows between grief and hope, speaking of the darkness that follows the end of a relationship. Umair counts the distances that have come between him and the person he loves, sings of the sunlight burning his wounds, declaring that the days have turned to ash. These words are interwoven with resilience: “chalrahahoon” (I am walking onwards), Umair keeps reminding himself. Hidden in ChalRahaHoon are the lessons that Umair learnt from the experience that inspired it – that life does move on, the sun keeps shining, and one’s pain becomes a source of growth and artistic inspiration. Reaching his audiences eight years after it was first written, ChalRahaHoon signifies a new direction for Umair, of sharing music with the world that is more personal and comes from a place of vulnerability and honesty. On Coke Studio, ChalRahaHoon find its voice as a rock ballad, with a musical arrangement designed to complement the shifting mood of its words.
ChalRahaHooncan be viewed at:
Celebrating the rich relationship between music and wedding festivities in our part of the world, MubarikMubarik comes to us in the unique hues of the Baloch culture. The lyrics are simple and heartfelt and a mix of two aspects of Balochi poetry and music: haalo and naazek. A song of celebration, the naazek aspect of MubarikMubarik praises and celebrates the bride and bridegroom on their wedding day. The song also lives within the haalo genre of Balochi poetry, wherein the word haalo is repeated several times and means ‘come’, inviting listeners to join the festivities. Musically, the song also includes a zahirok, which is the Balochi counterpart of Eastern Classical raags and forms the basis of Balochi music. In MubarikMubarik, the sarbaneyzahirok has been used, which has been named after the cameleers who used to sing this, as they travelled through hills and mountains, vocalizing notes to match the gait of their camels’ footsteps. The song is a collaboration between Banur’s Band and Atif Aslam, who joins in on the celebration, adding Punjabi lyrics to the song. Singing in the Balochi Kechi dialect, SM Baloch brings his earthy tone and open free-flowing vocals to the track. A result of extensive research and careful thought on the traditions of Balochi music by the minds behind Banur’s Band, the song is an attempt to create something that showcases Baloch culture, while adding contemporary colors to the mix.
MubarikMubarikcan be viewed at:
Presenting the story of mankind’s innate connection to music are Fareed Ayaz and Abu Muhammad with Aadam, a composition by Hazrat Amir Khusrow that has been handed down to them through Sufi tradition. The piece, as presented by the duo, brings together three couplets and two taranas expressing the legacy of music in the Sufi tradition as well as the collective human inheritance. The first couplet narrates the incident of HazratAadam’s creation, as told by Khusrow, presenting music as humankind’s Divine inheritance and an integral part of our story in the Divine Order. It is joined by two other couplets, celebrating the Sufi Chishti Order’s religious practice of using music as a vessel to gain connection with the Divine, and recalling the famed musical gatherings of HazratNizamuddinAuliya. A piece that follows its own ebb and flow, Aadam is presented by Coke Studio with Fareed Ayaz and Abu Muhammad at the helm, leading the rise and fall of this composition as it climbs towards its crescendo.
Aadamcan be viewed at:
The qawwali ensemble of Fareed Ayaz& Abu Muhammad, returns this season with their signature genre that speaks of a domain beyond the material. Fareed Ayaz& Abu Muhammad are descendants of the Qawwal-Bachchagharana of Delhi, tracing their lineage back to MianSamad bin Ibrahim who was a disciple of Hazrat Amir Khushrow. The ensemble represents a scholarly tradition of nearly 700 years and consider it their sacred duty to preserve the principles and traditions of the qawwali. In this mission, they have performed and spread the message of the qawwali in seventy countries, and have been credited with bringing this classical tradition to the youth and revitalizing it in the country on a mainstream level. Wherever they perform, they offer the knowledge that has been passed down to them, a knowledge that speaks of ‘Divine and the Ultimate Truth’.